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	<title>sabineofferlind</title>
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	<pubDate>Sun, 13 Sep 2026 09:11:16 +0000</pubDate>
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		<title>index</title>
				
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		<pubDate>Sat, 23 Dec 2023 14:48:04 +0000</pubDate>

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	Latest

	


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Exhibitions
	
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	Sculptures
	

&#38;nbsp;
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	Collaboration
	

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Process
	


Research
	
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	Installation
	
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		<title>About</title>
				
		<link>https://sabineofferlind.com/About</link>

		<pubDate>Sat, 23 Dec 2023 14:48:04 +0000</pubDate>

		<dc:creator>sabineofferlind</dc:creator>

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	Sabine’s practice involves installations and sculptural objects developed through a material-driven process where color, form and texture interact and challenge one another. Guided by a fascination with the complexity of nature and its constantly shifting processes, she creates organic compositions moving between the perceptual and the sculptural. The work explores the relationship between human, spatiality and nature, taking shape through both exhibitions and public space.


	

	AtelierSkönviksvägen 333Enskede Stockholm
	Mail 
Instagram


Artikel i Ulricehamnstidningen, &#38;nbsp;Lördag 22 &#38;nbsp;februari 2025



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		<title>Latest</title>
				
		<link>https://sabineofferlind.com/Latest</link>

		<pubDate>Sun, 13 Sep 2026 09:11:16 +0000</pubDate>

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		<description>Form/Design Center 

Pathways of PracticeGrupputställning 2026

Läs mer om utställningen på formdesigncenter.com

Foto Daniel Engvall
Text Marie O'Connor
	Nature is a constant in Sabine Offerlind Thunberg's practice, as a source of visual inspiration and a full sensory experience. Walking familiar forest trails or into new territory is an artistic method: observing, feeling, gathering. She refers to this heightened awareness as "zooming in". The images and memories found in this state of openness and discovery are recalled in the studio, not to replicate them but to transform them into material experimentation and form. Moving again between macro and micro perspectives, what can be gathered from a close encounter with her sculptures?
There is no obvious beginning or end in the continuous pattern that builds or ruptures the surface,


	 a surface assembled or hollowed. And there is no certainty either in the materiality; paper, plaster or clay. Up close, they appear fibrous, chalky; from a distance, they read as geological matter or landscapes themselves.
It is in the ambiguous readings and unusual material encounters - a nest, seed, stone? Natural or artificial? - that Sabine is most interested; a playful and curious practice that invites the artist and viewer to (re)discover the world through attentive wandering and wonder.
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		<title>Exhibitions </title>
				
		<link>https://sabineofferlind.com/Exhibitions</link>

		<pubDate>Fri, 11 Sep 2026 09:36:51 +0000</pubDate>

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Ulricehamns Rådhus

Ursprung&#38;nbsp;Separatutställning 2025



Text Fann Xu


Foto Rebecka Uhlin
	I utställningen Ursprung visar Sabine Offerlind Thunberg skulpturala verk där naturens sinnlighet, språk och kraft möter samtidskonstens uttryck och materialitet. Med utgångspunkt i frågeställningen “Om naturen växer här inne, hur skulle den då se ut? ” bjuder hon in stenar, murklor, träd och blommor att ta plats inne i våra rum. I detta möte mellan människa och natur uppstår något nytt och spännande. De olika rösterna blommar ut och växer ihop. Resultatet berättar en historia om vår medmänsklighet, samtidigt som det skildrar vår relation till och plats i naturen.
	Ursprung är Sabine Offerlind Thunbergs första separatutställning i sin hemkommun Ulricehamn. En hemkomst som känns lika självklar som den är efterlängtad, en återvändo till ett ursprung. Trots många år i storstadens puls har den naturnära uppväxten länge präglat hennes konstnärliga utforskande. Att låta naturens form ta an nya vokabulär presenterar nya frågeställningar och perspektiv. Resultatet rymmer både allvar och humor, harmoni och dissonans. Den är hemlighetsfull, inbjudande och visar till naturens och livets förgänglighet och styrka.

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	Hallwylska museetShaping Stories&#38;nbsp;


Grupputställning 2024&#38;nbsp;
Läs mer om utställning på&#38;nbsp;partspieces.com
	Hallwylska museet är hantverksskicklighet på en stor skala. Kollektivt har vi haft ett antal reaktioner på detta hus, som plats för inspiration likväl som en plats att presentera konstnärliga arbeten. Återkommande tankar cirkulerade kring hur vi kunde finna VÅR väg till byggnaden, att relatera i dialog med det spektrum av identiteter som huset representerar: som historisk artefakt, ett hem, livsverk, en tidskapsel av förmögenhet och smak…
Ett sätt vi kunde göra detta var att se våra verk som ytterligare lager, tillsammans i de ytor som nu stått obebodda i åratal. 

	Hallwylska Museet is craftsmanship on an epic scale. As a collective, there were a number of initial responses to this house as a site of inspiration as well as a location in which to present new work. The recurring thoughts circled around how we could find our way into the building, to relate and be in dialogue with the spectrum of identities the house has or is representative of; as a historical artefact, as a domestic space, as a life’s work, as a time capsule of wealth and taste…

One way we saw to do this was to see our work as a layer on top of the objects, now surfaces, that have been in place for decades.

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		<title>Sculptures</title>
				
		<link>https://sabineofferlind.com/Sculptures</link>

		<pubDate>Sat, 16 Nov 2024 16:06:33 +0000</pubDate>

		<dc:creator>sabineofferlind</dc:creator>

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	Växa

				
			
		
	

 
	Lager på lager, en rytm av material som formar sig. Likt naturens stillsamma kraft byggs det långsamt upp, tills något nytt föds fram eller läker det som gått sönder. En växt, en tanke, en historia - alltid närvarande, alltid växande. Elektriska impulser rör sig som osynliga trådar, likt växter som kommunicerar, söker ljus, överlever. Genom tiden sträcker det sig, länkat till det som alltid varit och det som ännu inte fått sin form.&#38;nbsp;
	
Layer upon layer, a rhythm of material takes shape. Like the quiet strength of nature, it slowly builds until something new emerges or mends what was once broken. A plant, a thought, a story – always present, always growing. Electric impulses move like invisible threads, just as plants communicate, seeking light, surviving. Over time, it reaches out, connected to what has always been and what is yet to come.


	
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Besynnerlig natur / Peculiur nature 
	
	
Likt en tall som sakta ändrar färg på sina barr vill jag med dessa skulpturer visualisera en besynnerlig natur i förändring. Terrakotta keramiken, rå i sitt material, med kopplingar till ett traditionellt hantverk och en taktilitet till leran från vår jord.Plasten med sitt främsta ursprung från industrin, presenteras på ett nytänkande sätt med oregelbundna former och intensiva färger. Ett avvikande möte i materialitet som relaterar till det motsägelsefulla och ologiska.
	Like a pine tree that slowly changes colour of its needles, I visualize a peculiar nature in transformation with these sculptures. The terracotta ceramic with its raw material is associated with traditional artisanship and the tactility of clay from our earth. Plastic which mainly originates from the industry is presented in an innovative way, with irregular shapes and vivid colors. An odd material encounter that relates to the contradictory and illogical. 

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Avtryck / Traces&#38;nbsp;


	Kan en översätta vad naturen besitter till ett objekts egenskaper? I mitt arbete har jag undersökt olika material, deras unika egenskaper och de sensoriska upplevelser de förmedlar. Mitt mål är att översätta naturens restorativa egenskaper till skulpturer för det offentliga rum – att fånga dess lugn och positiva distraktion som en kontrast till stadens stress. Genom Stenen hyllar jag naturens rika mångfald, dess former och färger.

	
Can one translate the essence of nature into the properties of an object? In my work, I have explored various materials, their unique properties, and the sensory experiences they convey. My goal is to translate nature's restorative qualities into sculptures for public spaces – capturing its calmness and positive distraction as a contrast to the stress of urban life. Through The Stone, I celebrate nature's rich diversity, its forms and colors.&#38;nbsp;&#38;nbsp; &#38;nbsp;&#38;nbsp;
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		<title>Study visit &#38; Exchange of Knowledge, Oaxaca &#38; Mexico City</title>
				
		<link>https://sabineofferlind.com/Study-visit-Exchange-of-Knowledge-Oaxaca-Mexico-City</link>

		<pubDate>Sat, 30 Dec 2023 16:40:05 +0000</pubDate>

		<dc:creator>sabineofferlind</dc:creator>

		<guid isPermaLink="true">https://sabineofferlind.com/Study-visit-Exchange-of-Knowledge-Oaxaca-Mexico-City</guid>

		<description>
	
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	Study visit &#38;amp; Exchange of Knowledge, 
Oaxaca &#38;amp; Mexico City

by Olga Olivares, Sabine Offerlind, Karla Rakuljic, the project was funded by estridericssonstiftelse.&#38;nbsp;This project steams from the curiosity and concern to learn from each other as makers, individuals, with different professional and cultural backgrounds. We believe in the importance and power of sharing knowledge, experiences, and techniques from creatives across geographical borders. This project´s purpose is an intercultural creative exchange between three female makers from Konstfack (Karla Rakuljic, Olga Olivares, Sabine Offerlind Thunberg), and local artisans and designers Oaxaca and Mexico City.


︎ click here to read the full report ︎

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	<item>
		<title> BioPolar Experience   </title>
				
		<link>https://sabineofferlind.com/BioPolar-Experience</link>

		<pubDate>Wed, 03 Jan 2024 09:14:42 +0000</pubDate>

		<dc:creator>sabineofferlind</dc:creator>

		<guid isPermaLink="true">https://sabineofferlind.com/BioPolar-Experience</guid>

		<description>
	

&#60;img width="2000" height="1123" width_o="2000" height_o="1123" data-src="https://freight.cargo.site/t/original/i/cb8e67f545ac2c67838e5096559eaf278851fe7e8df6a3358085982848228662/_MG_1291.jpg" data-mid="200638920" border="0"  src="https://freight.cargo.site/w/1000/i/cb8e67f545ac2c67838e5096559eaf278851fe7e8df6a3358085982848228662/_MG_1291.jpg" /&#62;


	BioPolar Experience&#38;nbsp;

by Olga Olivares &#38;amp; Sabine OfferlindLocation: 59.2886536, 18.1598059.Olga and I embarked on a collaboration fueled by our shared interest in exploring forest environments. With Global Goal 15.5—protecting biodiversity and natural habitats—as our guiding principle, we chose to focus on the Nacka reserve in Stockholm.
Our project offers a speculative design experience, inviting people to forge connections and empathy with nature. Central to our proposal are two audio stories depicting a fictional, dystopian scenario unfolding at Nacka reserve post-2030, envisioning the consequences of unmet Global Goals. We aimed to elicit emotions within a vivid, sensorial atmosphere, encouraging reflection on the intricate relationship between humans and non-humans within a forest context.&#38;nbsp;



	

Title:&#38;nbsp;BioPolar.Part 1:&#38;nbsp;Human Soul StoryPart 2: Story of the TreeGenres: FictionCo-director: Sabine Offerlind &#38;amp; Olga OlivaresCo-Writing (part 1), story edition &#38;amp; proofreading (part 1 and 2):&#38;nbsp;Katia AlvarezVoice: Jenna HolcombeMusic &#38;amp; Sound Edition: Nicholas OjaCountry: SwedenLanguage: EnglishRelease Date: October 2019, Stockholm, Sweden




	

︎Part 1 &#38;nbsp;Human Soul Story

︎Part 2 &#38;nbsp;Story of the Tree


	

	
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&#60;img width="1600" height="898" width_o="1600" height_o="898" data-src="https://freight.cargo.site/t/original/i/f479b03f7de61019fc7efa5555b014de7d0a47dfbf6083634a8a87070b71617a/_MG_1318.jpg" data-mid="200627776" border="0"  src="https://freight.cargo.site/w/1000/i/f479b03f7de61019fc7efa5555b014de7d0a47dfbf6083634a8a87070b71617a/_MG_1318.jpg" /&#62;

	Featuring audio stories, an object installation, and the forest as our setting, our project provided guests the liberty to explore, wander, and contemplate. We aimed to create an immersive experience where individuals could freely examine their surroundings and reflect.Our aim was to employ storytelling and perception as tools, enabling navigation through complexity, encouraging collaboration, and fostering the exchange of knowledge.
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		<title>Page Nav</title>
				
		<link>https://sabineofferlind.com/Page-Nav</link>

		<pubDate>Sat, 23 Dec 2023 14:48:06 +0000</pubDate>

		<dc:creator>sabineofferlind</dc:creator>

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